林素贤出生于1975年，是一位具有绘画背景的视觉艺术家，她运用文字、制作方法和绘画创作装置，深入研究叙事的产生、位移的概念、历史的构建和想象的风景。在她目前对护理美学的研究中，素贤正在使用针线活和纸艺等工艺技术来研究图表、图像制作和色彩理论的效用，同时质疑工艺与家庭和女性的关系.

素贤目前在拉萨尔艺术学院的麦克纳利美术学院领导文学士（荣誉）课程，并参加了在新加坡、印度尼西亚、韩国、爱尔兰、德国、奥地利、美国和越南展出的展览。 素贤 曾于 2004-2012 年担任新加坡 Substation 的副艺术家，并且是 2013/2014 年新加坡双年展委托的艺术家之一，并在新加坡土生华人博物馆展示了她的作品《植物和野生动物调查》。她与合作伙伴 Andreas Schlegel 合作，为新加坡国家美术馆 2019 年儿童双年展的奥尔特云和蓝山委托安装作品，该作品为荷兰格罗宁根博物馆的幼儿园双年展制作了多个版本（2021年）， Staatliche Kunst Dresden 博物馆，德国（2022 年），以及新加坡艺术博物馆：丹戎巴葛 Distripark（2022 年）。

 Hazel Lim (b. 1975) is a visual artist with a background in painting and employs text, crafting methods and drawings to create installations that delve into the production of narratives, notions of displacement, construction of histories, and imaginary landscapes. In her current research on the Aesthetics of Care, Hazel is employing crafting techniques such as needlework and paper craft to investigate the utility of diagrams, image making, and colour theory, whilst at the same time interrogating the relationship of craft to the domestic and feminine.

Hazel currently leads the BA(Hons) programme in the McNally School of Fine Arts, LASALLE College of the Arts, and has taken part in exhibitions showcased in Singapore, Indonesia, Korea, Ireland, Germany, Austria, the US, and Vietnam. Hazel was an Associate Artist with Substation, Singapore, from 2004-2012 and is one of the artists commissioned for Singapore Biennale 2013/2014 and showed off her work titled “A Botanical and Wildlife Survey” at the Singapore Peranakan Museum. She collaborated with her partner, Andreas Schlegel, on a commissioned installation work, “The Oort Cloud” and the “Blue Mountain” for The Children Biennale 2019 in the National Gallery of Singapore, which has various editions made for the Kinderbiënnales at Groninger Museum, Netherlands (2021), Staatliche Kunst Dresden Museum, Germany (2022), as well as for Singapore Art Museum: Tanjong Pagar Distripark (2022).